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An introduction to methods that provide a unified view of the interactions of nuclear particles. Emphasis is on the currently used methods of theoretical nuclear physics, so that only limited use is made of the older literature. The detailed application of the results to the problems of individual nuclei has also been avoided in order to focus attention on the unified structure of nuclear-physical problems.

• Sales Rank: #7634154 in Books
• Published on: 1968
• Binding: Hardcover
• 349 pages

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• Sales Rank: #3833684 in Books
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One of the most eagerly-anticipated projects in comics.

Today everyone knows Mickey Mouse as the cheerful ambassador of all things Disney. But back in the 1930s, Mickey gained fame as a rough-and-tumble, two-fisted epic hero ― an adventurous scrapper matching wits with mobsters, kidnappers, spies, and even (gulp!) city slickers! And Mickey’s greatest feats of derring-do took place in his daily comic strip, written and drawn by one of the greatest cartoonists of the 20th century ― Floyd Gottfredson.

For its first quarter-century, Gottfredson’s Mickey Mouse was a rip-roaring serial: the most popular cartoon-based comic of its time, a trendsetting adventure continuity aimed at both kids and grown-ups, and the foundation on which all later Disney comics grew ― including the adventures of Donald Duck and Uncle Scrooge by Gottfredson’s Disney colleague Carl Barks.

Glimpses of Floyd Gottfredson’s masterpiece have been reprinted over the years, most famously in Bill Blackbeard’s classic Smithsonian Collection of Newspaper Comics. But the whole strip has never been comprehensively collected in English ― until now! Fantagraphics Books is proud to bring this classic Disney creation to a 21st century audience in its entirety, starting from the strip’s 1930 launch. Relive Mickey’s race to a gold mine with Pegleg Pete hot on his heels; Mickey’s life on the lam after being framed for bank robbery; even Mickey’s ringside battle with a hulking heavyweight champ! The premiere volume features a dozen different adventures starring Mickey, his gal Minnie and her uncle Mortimer, his pals Horace Horsecollar and Butch, the villainous Pegleg Pete, and the mysterious and shrouded Fox.

Gottfredson’s vibrant visual storytelling has never been more beautifully reproduced; we promise the best reprinting the strip has ever seen, with each daily lovingly restored from Disney’s original negatives and proof sheets. “Death Valley” also includes more than 50 pages of fascinating supplementary features, including rare behind-the-scenes art and vintage publicity material from the first two years of the strip. Critics, scholars, seasoned Disney archivists, and fellow cartoonists provide commentary and historical essays on the strip’s creation and execution.

Walt Disney often said that his studio’s success “all started with a Mouse” ― Walt himself wrote the Mickey Mouse strip before turning it over to the able hands of Gottfredson ― and today Mickey is among the world’s most recognizable icons. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s Mickey Mouse. 260 pages of black-and-white comic strips

• Sales Rank: #746870 in Books
• Brand: Fantagraphics
• Published on: 2011-06-15
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x 1.10" w x 10.60" l, 2.36 pounds
• Binding: Hardcover
• 288 pages

Review
“Floyd Gottfredson... created an enduring classic and the most fully-formed depiction of Disney’s most important character…. Gottfredson had an animator’s knack for storytelling, and his layouts remain clear no matter how busy they get. Much of the humor is stilted by modern standards, but you’ll be too enthralled by the exciting plots and likable characters to care.” (Garrett Martin - Paste)

“Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history…. I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.” (Leonard Maltin)

“It should go without saying that Fantagraphics has done their usual stellar job in regards to editorial presentation and design... [O]ne of the Great Comic Strips Of All Time.” (Patrick Markfort - Articulate Nerd)

“We’ve already seen the gorgeous treatment that Fantagraphics has given to books like Peanuts... so there’s no doubt that Gottfredson’s Mickey Mouse will get the same. Kudos to them for bringing the work of a legendary artist back to today’s readers in a way that will honor his memory and contributions to the medium.” (David Wolkin - Comics Alliance)

“…[I]t’s not just a great Mickey Mouse comic, it’s one of the best comics of all time.” (Chris Sims - Comics Alliance)

“Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit.” (Rafael Gaitan - Comics Bulletin)

“I was astounded to discover that once upon a time, Mickey Mouse comics were really good! And exciting!... Plenty of good background material puts it all in context for the new reader, previously unaware of this strip or Gottfredson’s skill. I haven’t had a better adventure read this year, in sheer 'I don’t want to put this down!' desire to find out what comes next.” (Johanna Draper Carlson - Comics Worth Reading)

“Great lover, scholar, soldier, sailor, singer, toreador, tycoon, jockey, prizefighter, automobile racer, aviator, farmer. Mickey Mouse lives in a world in which space, time, and the law of physics are nil. He can reach inside of a bull’s mouth, pull out his teeth and use them as castanets. He can lead a band or play violin solos; his ingenuity is limitless; he never fails.” (Time Magazine (1931))

“The stories are dense, packing plenty of dialogue into the strips ― and the themes are darker than the bright-eyed, factory-sealed tales of today. Mickey is multi-dimensional in the first volume....  This dynamic look is a revelation in the life of the character who started it all for Disney.” (Alex Carr - Omnivoracious (Amazon.com))

“Can you believe that the tapioca-plain Mickey Mouse was… once a high-spirited adventurer...? He was in the original comic strips... It's one of the classics.” (David Allen - Inland Valley Daily Bulletin)

“...[O]ne could not have asked for a better presentation, with the reproduction about as good as it gets for 80-year-old comic strips, and a veritable plethora of extras.... To sum up, anyone who likes Disney, cartoons, or comic strips will find tons of things to love about this.... A terrific book, highly recommended.” (Sean Gaffney - A Case Suitable for Treatment)

About the Author
Hired as a short-term replacement on the fledgling Mickey Mouse daily strip in 1930, Floyd Gottfredson (1905–1986) went on to draw the feature for the next 45 years. He created the most famous Mickey tales ever told in print. He is a Disney Legend and was inducted into the Will Eisner Award Hall of Fame in 2006.

David Gerstein is a comic book writer/editor and animation historian specializing in the Disney Standard Characters. His books include Mickey and the Gang: Classic Stories in Verse and Walt Disney Treasures―Disney Comics: 70 Years of Innovation. He lives in New York City, NY.

Gary Groth is the co-founder of The Comics Journal and Fantagraphics Books. He lives in Seattle.

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35 of 37 people found the following review helpful.
Possibly the best comic strip reprint book I have ever seen
By Frank Bergdoll
This is a must-have item for anyone interested in comic strip reprints, Disney history, or just plain good-times!

I am a collector of comic book reprint hardcover material - of which there has been a great number lately. They vary in quality and it really comes down to three things:

1) do you like the character/comic?
2) is the artwork complete, reproduced well, and authentic?
3) are there any value-added materials in the book - such as essays, photos, etc?

If you are reading this review - then I must assume you have some interest in Mickey Mouse and/or Gottfredson's artwork - so #1 is a given.

As for #2 and #3 - wow. Just wow.

This book does an excellent job of printing the material on a nice, heavy, white paper that makes the art look fantastic (and it is fantastic art to start with). The paper is matte, so there is no glare, but it is quality paper that is crisp and doesn't fade or "smudge" the work. It looks wonderful.

As for #3 - this is where this book may be the best comic strip reprint book I've ever seen.

The essays and photos are top-notch and enlightening. I am especially impressed with the short essays introducing each "chapter" or story that the volume holds. You really get context and interest as you embark on the next pages. There is some material that I haven't seen reprinted since "The Censored Mouse" - a very short-lived comic in the 80's (2 issues?). I am glad to see some of that material here - where it can be treated as part of a cultural heritage, in the context of the times it was created with appropriate information and essay explanation.

This book is just rich in material - both reprinted strips and supporting information. I cannot think of a better example of what a strip collection could be. It's fantastic and I look forward to every published volume finding its way into my collection.

17 of 17 people found the following review helpful.
Disney's Biggest Star Gets the Star Treatment
By David Swan
Ah, Mickey Mouse; that vacuous smile, that soulless laugh. His silhouette is literally a corporate logo. When I was young I used to watch Popeye and Warner Brothers cartoons after school because Disney didn't syndicate. Even when Disney started producing new cartoons for syndication in the late 80's Mickey Mouse was always conspicuous by his absence. The Disney Corporations intention may have been to protect their most famous property but in my mind it made Mickey seem snobbish. However in the first three decades of his existence Mickey was extraordinarily accessible in cartoons and the newspaper dailies. The cartoons were fun if a bit repetitive and shallow but the newspaper comics were where Mickey was really given the opportunity to develop as a character and Floyd Gottfredson was the man who made it all happen.

The first storyline featuring Gottfredson's talents was `Mickey Mouse in Death Valley' upon which this book is named. Walt Disney himself wrote the first third of the story and let me just say that Disney may have been a brilliant businessman but as a writer he was lacking. Disney's Mickey seemed to only talk in puns and stale jokes and the story was all over the place. When Gottfredson took over writing he initially emulated Disney and it wasn't until the second story, `Mr. Slicker and the Egg Robbers', that Gottfredson began to find his own style and by the time `Mickey Mouse Boxing Champ' rolled out Gottfredson had made the character his own. He slowed the stories down to a pace more appropriate for a daily comic and his art style improved to the point where it was just off the charts magnificent. Whereas the first story felt hokey, frantic and dated Gottfredson changed the series to feel funny, well paced and edgy. Hard to believe that Mickey could once be described as edgy but for a pipsqueak he could dish out (and take) some punishment. The town bully actually snipped off the end of Mickey's tail and tied his nose in a knot. That's pretty hardcore.

I am a HUGE fan of Elzie Segar's Popeye but the character was never intended as a role model. Mickey on the other hand was a legitimate good guy who was resourceful, brave and big hearted but Gottfredson to his credit didn't make him perfect. When Mickey believes that Minnie is in love with another *ahem* rat he attempts to commit suicide... repeatedly. Mickey is not above using alcohol to get one over on an enemy and even pulls out a pair of pistols in order to motivate the "heavy light weight champ" to train harder. Like Popeye, the early Mickey Mouse was a product of the depression era and lived a simple small town life. From starting a war with the town bully to fighting a local boxing tough guy Mickey's adventures generally kept him close to home and I liked that. With every story I read I enjoyed this book more and more and Gottfredson's art style is some of the most aesthetically pleasing ever to grace a comic strip.

I have yet to purchase a collection from Fantagraphics that wasn't top notch quality and this one is no exception. From the cover to the binding and the additional material on Gottfredson this is a fantastic book and one that will look lovely on a bookshelf. My ONLY issue is that the comics themselves are shrunk a bit and I occasionally had some difficulty reading text. Most of the time it's not an issue and the images look terrific. I can unreservedly recommend this book to fans of comics in general and or fans of Disney. As long as Fantagraphics continues to produce these Mickey comics by Gottfredson I'll continue to purchase them.

14 of 15 people found the following review helpful.
Just Stunning
By Tim Hewitt
I'm really just stunned at the quality of newspaper comic strip reprint collections coming along these days. It seems that all of the publishers have stepped up their game to make these collections the best they can possibly be. Fantagraphics has outdone themselves with "Race to Death Valley." The book itself is a beauty, just the right size without being too large or too small. Some might complain that the strips (3 to a page) are too small, but to my eye they appear just about right, emphasizing Floyd Gottfredson's art to the best advantage (and the reproduction quality is outstanding). The stories are just great, movie serial, pulp style adventures. In addition to the comics themselves, Fantagraphics has again gone one step beyond in providing a wealth of background material, including essays on the genesis of the Mickey Mouse newspaper strip, Floyd Gottfredson, analysis, appreciations and more, with lots of color illustrations from the Disney archives. Each story sequence has it's own introduction, and there's an additional section at the end of the book that reprints the very first sequence of the comic strip (by Disney himself and Ub Iwerks) from just before the arrival of Floyd Gottfredson and "Race to Death Valley." In fact, there's so much background material crammed into this book, I'm not sure Fantagraphics can maintain this level through future volumes (but I hope they can). If you've loved these strips before, this is a collection you'll absolutely want to have on your shelf. If you've never read Mickey Mouse's "Indiana Jones" style adventures before, this is a great opportunity to dive in and see what you've been missing. With Amazon's price, it's beyond a bargain and a worthy addition to the growing library of quality newspaper strip reprints.

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• Sales Rank: #2215574 in Books
• Published on: 1999-09-15
• Original language: English
• Number of items: 1
• Dimensions: .82" h x 6.85" w x 8.28" l,
• Binding: Hardcover
• 218 pages

Review
"...there is something irresistible about Matvejevic's pointillist picture..." -- New Republic

"Neither exclusively narrative history nor strictly economic analysis, neither sociological interpretation nor literary explication alone, Matvejevic's scholarly encyclopedia of all things Mediterranean is all of these and more." -- Dallas Morning News

"Not a work of scholarship or a travelogue in any current sense; it is associative and impressionistic in the manner of a medieval text-an effect reinforced by the physical qualities of this elegant edition, with its duotone illustrations..." -- New York Times Book Review

Language Notes
Text: English
Original Language: Serbo-Croation

About the Author
Predrag Matvejevic was born in Mostar, Herzegovina, not far from the Mediterranean. A leading European public intellectual and writer, he has taught at the Universities of Zagreb and Paris (the Sorbonne) and is now Professor of Slavic Studies and East-Central Europe at the University of Rome (La Sapienza). Michael Henry Heim, Professor of Slavic Languages and Literatures at the University of California, Los Angeles, is the award-winning translator of books from Russian, Czech, Croat, Serb, Hungarian, German, and French, by authors including Kundera, Hrabal, Kis, Esterházy, Konrád, and Enszensberger.

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4 of 5 people found the following review helpful.
Poetry on the shores of the dark-wine sea
By Amore Roberto
For a few years "Mediterranean. A Cultural Landscape" has been one of the most popular book here in Europe. One of the most cited and the most praised.

There are wonderful travel related books about the Mediterranean.

Besides the many famous, I remember with gratitude the excellent "Mediterranean. Portrait of a Sea" by Ernle Bradford, possibly the best book ever written on this argument - and the most evocative, true poetry in prose, "On a Voiceless Shore - Byron in Greece" by Stephen Minta with the priceless metaphor that begins: "There is a frontier in Europe, marked on few maps.... It runs eastward from Galicia in northwester Spain, turns south ..., ...takes a fringe in coastal France...then runs down the coast of old Yugoslavia into Albania and Greece. This is that marks the northern limits of the olive tree..."

What about this book?

Did I enjoy the work of Matvejevic? Well... actually I'm still asking myself the question.

And the answer is not easy.

I'd probably re-read with pleasure, yes, and I would recommend it to friends, yes.

Undeniably this is a book that stimulates imagination and has the ability to evoke, but...

But the "dish" is sometimes a bit too elaborate, descriptions most of the time a bit too synthetic to enjoy at leisure and also exposition is - possibly willingly (in the style of ancient Latin "saturae") - haphazard.

Like with an elaborate dish by nouvelle cuisine, here everything looks, smells and tastes good... you are captured by endless variations of colors and forms, but in the end you feel frustrated by scarcity and with a distressing sense of hunger.

Its main virtue consists in being a successful effort to evoke a world almost totally disappeared, stressing on the points of contact between the many peoples and cultures living on its shores (the Latin, Slav, Greek, Turkish, Jewish and Arabic) more than on the already over-stressed differences.

On the other hand, if you do not know already the background, it will be difficult to follow, perceive and appreciate the argument. Because most of the book is rotating on a endless variation of the same themes, presented under different points of view, and often in a most rarefied poetic dimension.

This happens specially in the first of the three parts in which the book is divided ("Breviary" - the other two are "Maps" and "Glossary") while in the other two this impression is less vivid.

Anyway most of the world here presented as still existing, was already totally vanished by the 1960s' and since then it has been transferred to the realm of mythical utopia, that blunders edges and fades true colors. But, of course, the evocative and poetic dimension is overwhelming.

What Matvejevic seems to ignore completely is the presence on its shores of the British (since at least 1704), as well as the fascination that our sea commanded since the XVIII century on German and Northern People (Goethe, Winkelmann, Byron, the British enclave in Florence... but what to say of the Russians in the Cote d'Azure?), a distinct aesthetic sensibility that greatly contributed to shape the poetic and sentimental image of our sea. And what about the chaotic multicultural cities of early XX century: Forster's and Kavafis' Alexandria, just to name one (but also Salonika, Istambul, Triest,...)?

This is possibly the greatest "sin" of this lay breviary.

8 of 12 people found the following review helpful.
Mediterranean: A Cultural Landscape
By Vasja Bratina
The book Mediterranean: A Cultural Landscape represents global, objective and unburdened approach to topics of our civilizaton's cradle. Namely the author managed to write about so complex and multiculturaly entwined subjects on a certain way that is acceptable to and appreciated by all mediterranean nations and religions and by all who are interested in overall hystorical and cultural development of this part of the world . The Matvejevic story about Mediterranean is far from being scientificaly cold and dull, as he is intertwining in it a lot of his own observations, which are witty, sparkling and deep at the same time. In the same sense his approach isn't sticking to cronological or geographical order, but wise comparing of different eras, cultures, civilizations, nations and religions of this "sea, surrounded by land". It is the book that unites. The medieval form of breviary, that the writer is using, is giving the treated topics some special nobleness that is emphasized by poetical language which is fluctuating like the Mediterranean sea.

1 of 1 people found the following review helpful.
Mediterranean: A Cultural Landscape
By Ego In SLO
Yeah...what those other guys said. I thought it was a great book. Don't forget your dictionary.

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• Sales Rank: #874132 in Books
• Published on: 2014-07-12
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .17" w x 7.00" l, .32 pounds
• Binding: Paperback
• 74 pages

About the Author
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4 of 5 people found the following review helpful.
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By Shannon Seek
No matter what stage you are in your business, this workbook will help you focus and be sure to apply your efforts in the right places. Notable worksheets: 1) Get clear about your income streams regularly with the "Defining Your Business Mix"; 2) Define, design and check your efforts with the "Marketing Strategy" and "Impact" pies. You could easily have an executable plan ready for your month in a couple of hours with this book!

0 of 0 people found the following review helpful.
This was an excellent book it allowed me to write a marketing plan ...
By Loving Ren
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0 of 0 people found the following review helpful.
A must read for sure
By Amazon Customer
Easy to read and its step by step clear detail instructions that goes hand to hand with Get Clients now

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• Sales Rank: #1508192 in Books
• Published on: 2015-02-10
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .9" w x 6.00" l, .14 pounds
• Binding: Paperback
• 36 pages

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0 of 0 people found the following review helpful.
The material for the price was outstanding. I will ...
By Art Jordan
The material for the price was outstanding. I will be looking for others after I get finished with this book.

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• Sales Rank: #12404189 in Books
• Published on: 1984-08
• Number of items: 1
• Dimensions: 21.00" h x 18.40" w x 8.40" l,
• Binding: Hardcover

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The Judson Burmese-English dictionary. 1148 Pages

• Sales Rank: #1525972 in eBooks
• Published on: 2014-03-17
• Released on: 2014-03-17
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
NonBurmese fonts.
By Lover of Humanity
Waste of money. Completely useless as no Burmese fonts at all. They do not render at all. ZERO. This book needs to be withdrawn as it is useless. DO NOT BUY.

1 of 1 people found the following review helpful.
can't see burmese font properly
By John
can't see Burmese font, only show "oooooooOoo"; like that.

really want to own one and want to use as a kindle's dictionary.

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